pogi stamp by robert alejandro

saw an ad posted on facebook advertising custom made stamps of illustrations done by robert alejandro. i met tito robert eons ago but got to spend more time with him when he came to have dinner at our pop-up restaurant, blumentritt cafe, 4 years ago. i teasingly call him tito (uncle) robert not because of his tv persona in the defunct show, art is kool, but just because. he used to be part of cheche lazaro’s probe team and is the RO in papemelroti.

i emailed him end of december inquiring if he’d consider doing a non-human and i attached a photo of pogi, our late chinese shar-pei who/which passed away february 2014. i received an email telling me how to send payment details and i told myself, ill do this probably when i get back to manila by jan 5. to my surprise, a few days after i got back here i received a courier package and it contained the now-finished stamp! i was thrilled it was soo cute.

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the package contained the original signed sketch by robert alejandro, the stamp in a cardboard box, a stamp pad, and some postcards of tito robert’s fashion illustrations used in an ad for a real estate development. underneath the sketch is the quick sketch (displayed underneath the glass top of our dining table) he did when he was in blumentritt cafe in 2011.

it however took me almost the whole month to make a deposit for the stamp’s payment. eventually i did and that is why im only posting about this now. thank you, tito robert, this is soo gorgeous. i believe the custom-made stamps are a limited deal so check out tito robert via email at if you want your stamps made. stamps are php 1499, including shipping. cheers!

movies, musings


watched INTERSTELLAR (2014, christopher nolan) last november 13 and never got to blog about it. for the most part, i got lazy. but maybe also because it took me a long time to recover haha so did i like it?


i did not like it. i loved it! i just posted a list of my favorite sci-fi movies here weeks before watching and i need to revise it now. first of all, i wont start comparing it to 2001: a space odyssey because i dont think anything else can compare to that 1968 masterpiece. my cousin asked me if INTERSTELLAR reminded me of contact too. surprisingly it did not, knowing that jodi foster movie is in my list of favorites. in parts, i was more reminded of sunshine, sphere, and moon. i was mostly excited that the young murphy grew up to be jessica chastain. how awesome is that, right? i avoided reading about the movie prior to watching because im now easily dissuaded to love it esp if a lot more people are saying the movie is pretty good because i tend to be disappointed instead. the end went a bit off for me but i enjoyed the movie already too much to be bothered about it too much.

mcconaughey and chastain were great casting choices, hathaway was kinda meh. damon was a surprise. the rest of the cast were wonderful. hans zimmer’s musical score was great, as usual. on closer look, the redesigned space suits and their textures were gorgeous, courtesy of costume designer mary zophres. kudos to the design team with nathan crowley (also having worked with nolan in the batman series) as production designer, set decorator gary fettis, and art director superviser dean wolcott.

i wont bother explaining the film, in general it was pretty straightforward although carlo and i had to discuss lengthily afterwards on some things, which after doing research we were right on our presumptions. read here if you indeed wanna understand the film. the graph can get crazy but like the film, you might need to be in a certain mood to absorb the information. click on the photo below.


mmff 2014

looked forward to watching some movies in last year’s mmff mainly because i was involved in one of them. then because some of my friends were involved in other films too. our views can get biased but i could also be rather honest. here’s my two cents’ worth. dont worry, di ako mataas magscore talaga. lol.



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casting wise, erich gonzales made a pretty ahas. in parts i liked her acting but i didnt like her swaying motions. the ahas design was good and i especially liked when dad ariel was holding the baby ahas in his arms. i didnt catch if alice dixon died or left the family, generally i just thought she was underused. i wished they could have shot in a better looking mall. i liked the cg statue. the set design of the ahas lair was pretty well made. this was one movie this year that referenced gollum’s schizofreakazoid conversations with himself. the other was kubot. writing for this could have been better actually. least favorite of the three. score 2/5


this was the episode we were involved in. jerrold tarog directed his script written with zig marasigan. mackie galvez shot the movie with me as production designer, carlo working on costumes, and carmen on makeup and prosthetics. technically very well made and well-fleshed out script. editing was well paced and color grading was pretty and spot on. im impressed how tight dennis and carla’s performances were in the film. chanda was lovely to work with and extraordinary onscreen. i asked her to not put makeup on, i felt it would help her character. carlo built the aling lina look out of her dusters and aprons. i always hated lengthy climactic expositions. for someone who have read the script before, despite how well made it came out, i take off 1 brownie point. i love you, guys 😉 an epilogue was shot but was taken out of the final cut. also, if this was lined up as the 3rd episode, SRRXV would have been a better movie. score 3.5/5


i loved this episode, especially because they were able to shoot in a plane. there wouldnt really be a point shooting this material if they werent able to get that location! from the get-go, from the minute joy viado stepped into frame i got it this was a cray cray episode and i enjoyed it. silly and no logic whatsoever. you just had to enjoy it. the epilogue was totally unnecessary (SPOILER: -may isospoil pa ba ang formula films?- when rocky salumbides as a halimaw appears at the end) hence the score 3.5/5

overall, SRRXV was a surprise because i enjoyed it. and writing this “review” article is already getting me bored. moving on.



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this was a real crowd pleaser. there were also a lot of people behind this film that are friends. i know tonette jadaone from college because she submitted a short film to our film festival competition thing at UP. i used to call her, “jada-one,” (referenced to padawans from star wars, whatever). this is a romcom but it broke all sorts of romcom formulas and although you know how it would probably end, you just smile through the movie and marvel at derek’s broad shoulders. ok, also jennylyn’s porselana skin. the writing is particularly smart and maybe it can still do a little more tweaking but it’s almost perfect. im not sure if derek should have won best actor but he was better than robin in bonifacio. sorry, robin. on hindsight, i applaud derek ramsay’s subtle acting as a fil-am business guy taking a 30 day off vacay to forget his girlfriend by flying to the philippines and hoped to blow her off with tagalog. and not sweating at all in humid weather. tonette, ano to? lol. but his accent was just right and his abs rounded it off for a rather convincing performance. whut? jennylyn was awesome in this movie. she was disarmingly cute and still smart despite being tanga in love. the design was very colorful but on another note, it looked too much like a star cinema movie and im not sure if they were aiming to be that or not. nevertheless, the design could have helped define characters more than just putting pretty colors everywhere. i am in awe that this production got to shoot in an actual SM mall. im so jealous haha generally, all the awards this film got was well deserved. score: 4/5



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this i looked forward to. worked on the first movie (tiktik aswang chronicles) as designer alongside peter colias (scenic designer for moulin rouge, the matrix and whatnot). this sequel went much more crazy than the first one and it was awesome. maybe the movie could have been edited a tad bit shorter and that factory sequence a bit tighter but overall it was all fun. the concept on the design was awesome. it doesnt make sense that the roof of a hut on a building’s rooftop would be made with window blinds but it worked. that gorgeous opening scene was something out of ridley scott’s prometheus! but as wonderful as the design on the kubot clan were, i was kinda perplexed on the too subtle differences the character design were for the remaining aswang clans. nevertheless, isabel looked awesome and id love to have her home’s curtains! lotlot was outstanding in this movie. congrats direk erik! kudos to ericson navarro and his art department for wining best pd and makeup, and the naked dave yu (naked in that factory scene; some things you can never unsee hahaha) for best visual effects. deserving win as well. score: 3.5/5



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technically this was the movie i saw first but posting last because of the picture above. lol. this movie had a lot of potential to be truly awesome. gorgeous sweeping shots, soaring orchestrations, the works. yet, sometimes, nothing can mask a rather weak script. one thing i thought of after the movie ended was that, that was it? yun lang ba dinaanan ni bonifacio sa buhay niya? it felt rather thin. and those present day sequences were unnecessary. early on in the movie, i loved the musical score. however, towards the end i started sensing a familiar motiff and then it hit me. the da vinci code! even the katipunan museum “steadicam” shot was reminiscent of that camera swoop through the louvre. nevertheless, i know von de guzman along with wildsound deserved their best music and sound design wins. special mention to carlo mendoza winning for cinematography, enhancing roy lachica’s wonderful sets. vina morales could have easily won best actress for this, i have to admit. her scenes were heartbreaking. robin, however well-intentioned, remained robin padilla, not andres bonifacio. i have to say, the controversy raised by this production was rather awkward and embarrassing. huwag na pagpilitan ang mga bagay na di naman para sa inyo. i feel tama ang pagbigay ng lahat ng mga awards this year. besides, bonifacio already reaped most of the awards. be content. honestly, because of this sourgraping, i was turned off a lot by this movie. hayy. back to regular programming. ay tapos na pala. score 2.5/5

so durr. carlo has a lot more to add but he might as well write another blog about it. i might just catch the amazing praybeyt benjamin on tv soon enough. feng shui 2 as well. i enjoyed the first one. just a sad reality (though nothing serious) for the mmff to be more of a sequel festival than showcasing original material. if the new template would be ENGLISH ONLY PLEASE, then im hoping next year wala nang sequels/prequels or rehashed formula films. dapat original material lahat. but dont hold your breath. asa ka pa. 😉 ok, quiet na ako. cheers and have a happy new year.

ps. at centrio mall in cagayan de oro, movie tickets cost only P151. that’s watching in an ayala mall cinema with awesome sound and seats! gateway cubao tickets cost us P231 per head. cinemas 6 and 7 (where srr and kubot were shown) was a much more smaller theater but had a great projector (a bit cropped though), crystal clear and bright image projection, and awesome sound system. cinema 1 (where EOP) was rather bad: dull colors, sound not as good as the other cinemas.