im here

havent been able to blog a lot more. im currently writing long hand in a journal offline. seems working though. the internet is a crazier place now than when i started blogging back in geocities days. social media has become too demanding and the pressure to have followers and likes is insane id rather be off it. choz. but i may come back to writing online. jan 14 2019.

this is where i am. this is me



We are currently in Busan, Korea for the 2nd leg of FLY FILM LAB 2019 bring Joe Bacus’s 2nd feature length film under development, DEVILS IN PARADISE (Mga Yawa sa Paraiso), with me as producer. FLY FILM LAB is under the Busan Film Commission and in cooperation with the Busan Asian Film School (AFiS). Part of our time here in Busan is also presenting the film to the in the LINK OF CINE-ASIA Project Market. So see you at our table! wohoo!


DEVILS IN PARADISE (Mga Yawa sa Paraiso) is a film about a shaman, GAU who seeks to keep his local traditions and culture alive against the growing power of the Catholic Church in his community. His daughter, SEHANA, an apprentice shaman, looks forward to the day she gets to meet her mother, MAULANA, the head ASWANG, someday. Meanwhile, GAU struggles to continue his duties as healer and leader in his community, which is suddenly suffering from a strange disease, when by his own negligence, the shaman one day finds SEHANA killed at the hands of his spirit familiar, the SIGBIN. His guilt throws him into a journey seeking solace and reprieve and stumbles into the realm of the Aswangs where he is forced to face MAULANA who asks him why he came alone.






musings 05.29.2019

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been working on the set design for a videos series of an insurance company on wealth management. listening to the agents themselves talk, im pleasantly surprised i can follow and understand a lot of what they are talking about. ive explored on finance management myself (im no expert, duh), reading on (a few) books and trying to understand whatever these finance gurus are talking about. im forcing myself to take interest and understand around 5 years ago and im happy i did.

it’s something artists dont really talk about because we love spontaneity and impulsive decisions, we live for moments and the Now.

i still do and i dont think one can take that away but i also forced myself to see bigger pictures and future selves and understand my money today probably wont make it to when im 75 and broke and hungry, given how i spend.

ive taken that road to saving some money for some future self i still need to know and investing on him, too. who is this 70-year old ben (and carlo) and where will they live by then? what will they do and where do they eat and how can they afford to watch movies in cinemas (even if i still hate watching with other people who have no theater etiquette) in the year 2049.

ive slowly taken steps to understand and jusko, im already late in taking that road less traveled. ive shared already to some people in the past and happily theyve taken the advice and the dream and slowly also starting to take care of their kwarta and putting aside things for the future. influenced. charot.

i might take this new-found passion for wealth management to the next level so let’s see if i can influence more people to take the leap and claim bigger goals and ambition and taking care of their future selves!


salzburg is quaint and charming and small. dropped by for a day and a half and only saw outdoor sights but not the bigger museums -which is unfortunate because we love seeing works of the masters aside from all the architecture and food.

we did try catching some of the nearby shoot locations of robert wise’s the sound of music, starring julie andrews and christopher plummer.

we stumbled into the abbey from TSOM by accident and i knew right away it was the same one.

the famous mirabelle garden was still open but this section’s gate was already closed so we couldnt act out that finale of do-re-mi.

the escape from the nazis after the farewell performance at the cemetary was not shot here in st. patrick’s but definitely was the inspiration. they copied the gates and tombstones in a studio.

also checked out the other plazas and streets where they shot at. bought a music box playing eidelweiss for my aunt who’s a huge fan of the film.

got around mozartplatz and also visited where he was born and raised. apparently the music scene in salzburg was too small for mozart so he left for vienna and stay there.

so off we go to vienna!


i live to travel. it’s when im most excited and most calm. i love seeing new sights and recognizing cultural patterns similar to mine apart from learning what is also different. more often than not, we are the same so there is a balance and we as a people are not far removed from our 1st world brothers. this is the beauty of the human race. and i bask in it and distance myself from it at the same time. i will remain wanderlust.

on the train from salzburg to vienna now. mozart was born in salzburg and while he was a prodigy, his talents and works were more celebrated in vienna where the performing arts scene was exploding. i wonder what jose rizal and his barkadas thought about vienna?

slovenia was gorgeous and the snow up in the mountains was a killer. glad we got our snow for our shoot in motel acacia.

excited for vienna. see you in a few!


excited for the coming year. i kinda have an idea about the work that will keep us busy for upto maybe the 3rd quarter but im also excited for the things i still dont know ill be doing. positive about wanting to make some changes and working on advocacies for my community, whatever it will be. solid waste management, financial independence for low-income workers, interior designing, a book, a screenplay, or maybe a business. i dont know. all i know is im excited.

so help me, Lord. thank you!


theater me

mind blown. articles about 2018’s theater scene have come out in recent weeks talking and celebrating the year’s best. the philippines may not have something like the tony’s but im honored to be mentioned and even in one article, singled out as the best stage design for PETA’s ‘night, mother.

screencaps and links to articles below.


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from ABS-CBN:

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i was also able to design for vincent de jesus’s CHANGING PARTNERS, which got cited in SPOT.PH:

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carlo and i would normally design only for film and tv commercials but occasionally dabble in theater when opportunities arise. i was able to do 2 virgin labfest productions with melvin lee until early last year when PETA closed its season with ‘night, mother, directed by lee, and starring sherry lara and eugene domingo. right after ‘night mother, we worked with vincent de jesus again (who did ‘night, mother’s music) with rem zamora directing in the restaging of CHANGING PARTNERS. our other theater run was in 2017 with ateneo blue repertory for again, vincent de jesus’s KUNG PAANO KA NAGING LEADING LADY ZE MUSICAL under the direction of issa manalo-lopez.

it seems vincent de jesus is my go-to fairy godmother haha

PS. i might as well mention that i did have an industry citation midyear with philstage’s GAWAD BUHAY. i dont know how it works but i understand there will be a final lineup maybe about now on who actually gets nominated and who will win. fingers crossed?

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