filmmaking, food trip, laundry therapy, musings, travel

it’s 2023

i havent been able to blog on anything since 2020. the pandemic happened and COVID-19 beat the hell out of me and everyone. while we survived, the government did a shitty job handling the whole thing. and the elections happened and we all know how things went down south. my mental health went batshit and it’s been a slow climb back out of 2022. in 2023, events surrounding us were still crazy so im just trying to keep afloat really.

so let’s just fill ourselves with some personal updates via photos from early 2022 to now. while we all know a picture is worth a thousand words, we still need 140 characters or so to defend their posting. ive been keeping a 25 foot distance from facebook since 2021 and elon is killing twitter so looks like i might blog for a bit.

got involved in a production designers group since 2020. although the movement basically started 201, the prod designers only got to convene during the pandemic. it’s been a generally slow burn kind of thing pero i guess that’s the only way we can work our way around still doing full time shoots and organizing a guild kind of thing. since the pandemic, everybody has been extremely busy hence no more time for org work but we recognize it doesnt mean theyre deadma na to the goals of the group. birthing pains for sure.

we made it to sagrada familia in barcelona. the unfinished church is indeed a masterpiece, created by people who have a vision for the future. that came along with planning how barcelona itself was built. we want that kind of vision for the Philippines. it was tricky staying in our conqueror’s place. we suffered 300 years under them but also basically learned nothing from them. choz.

ive spoken on twitter about what was one of the things that made me realize i was gay. in my young life, my only access to things were underwear packages in department stores. i didnt understand it then, i was 5 years old after all but those pictures of torsos in their briefs made me all tingly inside. this magazine ad of fruit of the loom in his beautiful teal briefs cemented the realization that i liked men. and undies. and penises hidden behind teal briefs. like, i was 10 at that time. so yes, madlang people. bakla na ako bago ko pa nalaman ano ang bakla.

there’s also a photo of me with a superman poster in our family bedroom. again, as a kid i couldnt explain it but those red briefs were my kryptonite. and also whatever was hidden behind those red briefs. lol

how are we so far? ive begun to loathe toxic positivity during the pandemic and facebook is so full of it. trying to live life off social media because of that. outside work, ive been keeping myself with film guild stuff and laundry. if we had money, carlo and i would be traveling all the time haha but also just thankful we’ve been able to see dipolog, madrid, barcelona, and jeollanam-do korea this year because of work.

ive always been a vampire fan, esp with stoker and rice’s vampire lore. the tv series for anne rice’s interivew with the vampire was amazing and thrilling and sensual like it was in the books. this is the definitive vampire chronicles.

im happy our condo community has a recycling program wherein we surrender clean and washed waste to B.E.S.T. im made a habit out of washing all dirty plastics before segregating, and trying to keep paper clean too. i send the stuff every 4 weeks. this august 2022 trash is an accumulation of i think 2 or 3 months (coz we were shooting and i didnt have time to bring them down). here’s how much trash ive set aside not going to the payatas landfill.

we survived shooting a film (IN MY MOTHER’S SKIN, dir kenneth dagatan) in the gaston house in bacolod city in june 2022. the house was also used as location for peque gallaga’s oro, plata, mata, in 1981. as per the owners, the house was used as shoot location very few times (peque used it twice, and then law fajardo, and then one more local filmmaker) before us.

we had the wonderful experience and privilege to film in this complex. the house owner, monsignor gaston, and his staff, headed by yaya francis, and the monsignor’s family were very welcoming. we were able to ask yaya francis not to cut grass for 2 months and boy did all the weeds grow. wonderful! haha

looking back at all these pictures, my year was colorful din naman. experience was enough to say, it had its moments. and some not so good ones. looking forward to other things because there is no way to go but up, right?

cheers everyone! #LAVANLUNGS

Standard

kviff_plakat_tiskovka_02.JPG

had a grand time in karlovy vary celebrating its 51st international film festival and especially because our film was part of the festival. aside from kapatiran (brotherhood), lav diaz’s 8-hour opus, hele sa hiwagang hapis, and brillante mendoza’s cannes entry, ma’rosa (which won jaclyn jose her biggest international acting award), were also screened in karlovy vary.

but more than anything, i particularly love the paparazzi theme of the festival. and with that, we staged our own.

benjamin padero 20160414IMG_4729.jpg

producer, bianca balbuena

benjamin padero 20160414IMG_4733.jpg

production designer, benjamin padero

benjamin padero 20160414IMG_4743.jpg

production designer, carlo tabije

benjamin padero 20160414IMG_4750.jpg

director, pepe diokno

benjamin padero 20160414IMG_4758.jpg

director, pepe diokno, and associate producer, royd santiago

benjamin padero 20160414IMG_4764.jpg

production designers, benjamin padero and carlo tabije

benjamin padero 20160415IMG_4878.jpg

thug life editor, benjamin tolentino

filmmaking, laundry therapy, musings, travel

evading the paparazzi

Image
art & design, costume design, filmmaking, interior design, movies, musings, set design

ABOVE THE CLOUDS BEHIND THE SCENES: Production Design

during the shoot of pepe diokno’s 2nd full length feature, ABOVE THE CLOUDS, last year, bradley liew, a malaysian filmmaker, was tasked to create short featurettes for the film’s behind the scenes. bradley and pepe were able to release the first two featurettes that discussed the director’s vision and our 2 lead actors even before we finished shooting the whole thing. the 4th episode in this series, released just a few weeks ago, was about the production design and featured us 😉 as much as the requirements on paper seemed simple enough, it is not. whether you are designing for 2 actors on screen or 500, all film projects require careful planning and attention to detail. watch this vid and see if we actually made sense. the shoot of ABOVE THE CLOUDS took almost a year to do so my hair also went into different lengths and feels haha. cheers!

Standard
art & design, costume design, filmmaking, interior design, movies, musings, set design

HENERAL LUNA: 8 days done. 17 to go

heneral luna IMG_3145

we finally finished the first 8 days of shoot for HENERAL LUNA that has brought us to tanay, taal (batangas), bulacan, and all the way to ilocos (vigan and laoag). forgive me but i did plan to write a full blog article about HENERAL LUNA but the holy week has shut my mind down into rest mode. hence i wont be writing anything except this hi and hello. hi and hello! hopefully be back in full mode after this weekend. or after the end of this shoot in june. haha cheers!

IMG_2363

dop pong ignacio silhouetted against the 18k sun

IMG_2771

shooting a dining scene in the gorgeous villavicencio house

IMG_3407

dressing up a vigan street early in the morning for a 1-shot scene at the break of dawn.

heneral luna IMG_3422

meta mode pointing my camera at the mobile monitor showing me pointing my camera at the mobile monitor showing me pointing…

heneral luna IMG_3500

my props and set boys. if rocks made up a mountain, i have a big mountain to lean on to. happy people make a happy set. keep smiling, boys!

Standard
art & design, filmmaking, movies, set design

ABOVE THE CLOUDS Production Diary #2

the next installment to the behind the scenes videos for ABOVE THE CLOUDS was released a few days ago. here it is:


.

the 1st video is posted here.

Standard
art & design, filmmaking, movies, save the earth, sketch

surviving mount pulag

still shooting pepe diokno’s above the clouds in the mountain province with a trek up mount pulag to culminate the shoot. i cant post most of the photos yet as we are still shooting a few more scenes down in baguio but here’s a shot of the art department at the peak with a view of the sea of clouds. it pays to not work a day in your life with projects like this.

20130322001ATC pulag.jpg

clockwise from left: arman montallana, mikee supetran, carlo tabije, ramon recana, docdoc, russel amis, randy, and me

Standard
art & design, filmmaking, movies, set design

shooting just below the clouds

image

it’s day 9 for our shoot of pepe diokno’s above the clouds with protegé’s ruru madrid and philippine rock legend pepe smith. we started with about 5 days of shoot in baguio before moving to sagada, also in the mountain province. altitude in baguio is about 1600 meters and attitude is ubber cool. temperature during the day is about 22 deg celsius and evenings drop to 14 although it felt more like 10 degrees.

image
One thing i love about pd work with locations is that we get to go ahead of the team and sometimes make stops when we like, like taking a photo at the famous Lion head along the highway. With carlo and me is ramon recana, art director.

One of our main sets in baguio was pepe smith’s character’s house. It had to look rundown and textured and his emotions are boxed up in storage for a later reveal. It was challenging not to go overboard with the clutter and it was fun shooting in that location in camp allen, not to mention it wasnt as cold as shooting the exterior scenes at night.

image
Photos from home used as a prop. At the upper left corner is a photo of my sister, tina, when she was about 3 years old.

image
Me standing in so i could have this shot

image
Director Pepe Diokno takes a break on our set

first time for us to work with Pepe Diokno, who directed his first film Enkwentro that got him the Lion of the future award in 2009 at the venice film festival. This would only be his second film and we’re thrilled to be a part of it. Producer bianca balbuena was the one who brought us into the project along with the motley crew from jerrold tarog’s other films: ben tolentino (script con), nicholas varela (sound recordist), cris aquino (ad), and on-set mascot oniel parker (pm). First time to also work with dop carlo mendoza, tonee acejo (lp), mark locsin (sound recordist and engineer), and a slew of others.

image
This man is a revelation. Pepe Smith on his guitar between takes.

20130316-190133.jpg
Me doing a pepe smith while playing the chords to a nirvana song (the only two guitar chords i know how to play)

currently we are now in sagada prior to climbing mt pulag. really enjoying the shoot. I thought id freeze to death in the mountains but i slowly adjusted to the weather and im enjoying the company of friends. It’s true you’ll never have to work a day in your life if you enjoy what you’re doing, like art directing the forest and designing for a film about a boy orphaned and finding where his home now lies above the clouds.

20130316-212351.jpg

Standard
art & design, filmmaking, movies, musings

i would like to thank the academy…

the oscars show is fast approaching. and on the eve that we arrived in cambodia, i learned that my friend, jerrold tarog, was nominated for his musical score and editing work in chito rono’s the healing. as i was about to congratulate him, i decided to see who was nominated for best production design this year. i expected el presidente and thy womb in the category but i was pleasantly surprised to find my name in the list.

Screen shot 2013-02-24 at 7.01.34 PM

Screen shot 2013-02-24 at 7.48.59 PM

id like to thank the academy for this. it’s such an honor to be nominated amongst this awesome pool of talents in both indie and mainstream movie categories for production design (as to why there should be a divide in categories, i guess there’s just more love to share –such an optimistic remark).

practice lang sa thank you speech ko sa oscars. chos! hahaha 😉

133896_477896455577132_39921207_o

cheers to films and friends nominated and recognized: the guys behind tiktik: the aswang chronicles– direk erik matti, co-nominee peter collias, producers dondon monteverde and dingdong dantes, artdep adrian espanola and dunn ledesma, kitch napigkit and cherry fortes, buboy crauz and his team. dop dix buhay, janice de belen; to thy womb with direk brillante mendoza, larry, tanya, tito odie flores, ms nora, sir katz; alagwa with bianca balbuena, bwakaw with ferdie lapuz and tonee acejo, adolf alix jr and ben tolentino in mater dolorosa, my friend coco martin for sta nina (chos!), slumber party with rk bagatsing, harley alcasid, carlo mendoza for bwakaw and el presidente, shayne sarte for a mother’s story. and jerrold tarog of course 😉 congrats sa lahat and thank you pmpc

full list of nominees at starmometer.com

Standard
art & design, filmmaking, movies, musings, sketch

on the boat

image

im pleasantly surprised the effect of sea breeze and being on a ship have inspired me and afforded me time to write! In the last 24 hours ive posted 3 articles with photos and currently reviewing and editing 3 more prior to publishing. That’s more than what ive done in the last few months.

im also surprised to find myself writing more about food than my design work haha actually, im currently dishing out articles using my phone so i only have access to photos of food we’ve eaten via my camera phone. Years ago most people would say grace before eating. Now they post on instagram before praying. Most of my design materials are in my laptop so ill post about the new eq lapu lapu commercial and tide’s newest commercial with vic sotto, plus the relaunch of breeze detergent when i get back on land.

image
carlo makes it work

will be leaving for cambodia soon so i hope to write more about that. purchased tickets last year hoping my dad could make the trip but he passed away last august so we’ll be keeping his wishes alive by proceeding with the trip. thank God cebu pacific air agreed to reimburse his tickets after we filed an appeal and submitted a copy of his death certificate. carlo and i will be travelling with my mother, sisters tina and ana, aunt temay, and cousin mia, plus a friend of tita temay.

by march, my art department team and i will be busy shooting pepe diokno’s 2nd feature, Above the Clouds. We’ve already done locked in most of the locations so far and the artdep will resume preparations when i get back from cambodia. Let’s see if i have time to write about it while shooting.

image

We’re almost back on land so ill be missing the bunk beds and the food here aboard 2go. Also excited as my family from mindanao will be arriving in the morning! Wohoo

Cheers!

Standard
art & design, costume design, filmmaking, interior design, set design

walk like an egyptian

havent blogged anything in a long time so whatevs, i always say that haha

anyway, we shot this eq diapers commercial last year following the story of cleopatra and two of her visitors, an arabian prince and a lowly hebrew woman. loved this shoot. the costumed dramas for eq diapers have become a series of some sort, starting with sonia two years ago, a mix of grecian, elizabethan and gothic influences. the next ad, solomon, i wasnt able to work on because i think i was doing a film then. the third ad in the series would be this one, shot in december last year but only aired in february of this year. posting pics from concept to final output.

SET DESIGN

drew inspiration from classical paintings of cleopatra and egypt.

proj cleopatra.002

also looked into the set design of elizabeth taylor’s cleopatra, (1963) directed by joseph l. mankiewicz, production design by john de cuir (source imdb.com) and martin curtiz’s the egyptian (1954). 

proj cleopatra.011.jpeg

some of these pegs came from the director, mike alcazaren, and im not familiar with what television series they came from.

proj cleopatra.012.jpeg

original set design

set design.jpg

revised set design. the raised platform with pool would be too expensive to construct so i created two separate pool units instead. always wanted to do a set with water again. it’s been a long time haha

set design2.jpg

construction plans in chamba perspective (to produce a drawn perspective without use of rulers and no actual measurements of vanishing points) with measurements for my builders (called setmen). in architecture school, we learned to work in the metric system. when i started working on film, i had to adjust when the setmen told me they worked in feet because materials in the philippines were cut in feet and inches. it actually makes sense. why measure out 2.4384 meters for a panel when you can just say 8 feet?

Continue reading

Standard