filmmaking, food trip, laundry therapy, musings, travel

it’s 2023

i havent been able to blog on anything since 2020. the pandemic happened and COVID-19 beat the hell out of me and everyone. while we survived, the government did a shitty job handling the whole thing. and the elections happened and we all know how things went down south. my mental health went batshit and it’s been a slow climb back out of 2022. in 2023, events surrounding us were still crazy so im just trying to keep afloat really.

so let’s just fill ourselves with some personal updates via photos from early 2022 to now. while we all know a picture is worth a thousand words, we still need 140 characters or so to defend their posting. ive been keeping a 25 foot distance from facebook since 2021 and elon is killing twitter so looks like i might blog for a bit.

got involved in a production designers group since 2020. although the movement basically started 201, the prod designers only got to convene during the pandemic. it’s been a generally slow burn kind of thing pero i guess that’s the only way we can work our way around still doing full time shoots and organizing a guild kind of thing. since the pandemic, everybody has been extremely busy hence no more time for org work but we recognize it doesnt mean theyre deadma na to the goals of the group. birthing pains for sure.

we made it to sagrada familia in barcelona. the unfinished church is indeed a masterpiece, created by people who have a vision for the future. that came along with planning how barcelona itself was built. we want that kind of vision for the Philippines. it was tricky staying in our conqueror’s place. we suffered 300 years under them but also basically learned nothing from them. choz.

ive spoken on twitter about what was one of the things that made me realize i was gay. in my young life, my only access to things were underwear packages in department stores. i didnt understand it then, i was 5 years old after all but those pictures of torsos in their briefs made me all tingly inside. this magazine ad of fruit of the loom in his beautiful teal briefs cemented the realization that i liked men. and undies. and penises hidden behind teal briefs. like, i was 10 at that time. so yes, madlang people. bakla na ako bago ko pa nalaman ano ang bakla.

there’s also a photo of me with a superman poster in our family bedroom. again, as a kid i couldnt explain it but those red briefs were my kryptonite. and also whatever was hidden behind those red briefs. lol

how are we so far? ive begun to loathe toxic positivity during the pandemic and facebook is so full of it. trying to live life off social media because of that. outside work, ive been keeping myself with film guild stuff and laundry. if we had money, carlo and i would be traveling all the time haha but also just thankful we’ve been able to see dipolog, madrid, barcelona, and jeollanam-do korea this year because of work.

ive always been a vampire fan, esp with stoker and rice’s vampire lore. the tv series for anne rice’s interivew with the vampire was amazing and thrilling and sensual like it was in the books. this is the definitive vampire chronicles.

im happy our condo community has a recycling program wherein we surrender clean and washed waste to B.E.S.T. im made a habit out of washing all dirty plastics before segregating, and trying to keep paper clean too. i send the stuff every 4 weeks. this august 2022 trash is an accumulation of i think 2 or 3 months (coz we were shooting and i didnt have time to bring them down). here’s how much trash ive set aside not going to the payatas landfill.

we survived shooting a film (IN MY MOTHER’S SKIN, dir kenneth dagatan) in the gaston house in bacolod city in june 2022. the house was also used as location for peque gallaga’s oro, plata, mata, in 1981. as per the owners, the house was used as shoot location very few times (peque used it twice, and then law fajardo, and then one more local filmmaker) before us.

we had the wonderful experience and privilege to film in this complex. the house owner, monsignor gaston, and his staff, headed by yaya francis, and the monsignor’s family were very welcoming. we were able to ask yaya francis not to cut grass for 2 months and boy did all the weeds grow. wonderful! haha

looking back at all these pictures, my year was colorful din naman. experience was enough to say, it had its moments. and some not so good ones. looking forward to other things because there is no way to go but up, right?

cheers everyone! #LAVANLUNGS

Standard

BEN-PADERO-20160415009

wanderlust: karlovy vary

BEN-PADERO-20160413006

karlovy vary is about 1.5 hours from prague in the czech republic. i had but recently only realized that czechoslovakia had divided itself in 1993 (i blame sleepy afternoons and not concentrating in history). so there is the czech republic and there is slovakia on the map. awesome to learn something every day, right?

BEN-PADERO-20160414006

BEN-PADERO-20160702008

karlovy vary is known for their spas and medicinal spring waters and a lot of their tourism is towards people seeking wellness and therapy. however, every july their sleepy little town gets to throw a big party for the summer crowd and because it hosts the karlovy vary international film festival.

BEN-PADERO-20160415019

this is Hotel Thermal, home of the karlovy vary international film festival. the hotel is kinda like CCP, except with a hotel and is near everybody else.

our film, KAPATIRAN (Brotherhood), was screened this year, ive blogged about it already. this post would show a little bit of karlovy vary instead.

BEN-PADERO-20160703023

one of the ballrooms in the grandhotel pupp with a big ass morgan freeman portrait. one of the biggest spa hotels in karlovy vary and where a lot of the parties during the festival were hosted. it’s awesome for 1 festival to have most of the whole city so involved. you can see a lot of their poster billboards all over. the theaters are spread out and not just in one venue.

BEN-PADERO-20160703022

BEN-PADERO-20160415009

BEN-PADERO-20160703020

another one of the venues where we had our 2nd screening of karlovy vary. goofing outside the cafe, we were joined by hubert poul (6th from left), programmer in karlovy vary and the one who was responsible for bringing us to the czech republic. also in the photo in lucille (rightmost) who was in-charge of our schedules and car transfers. very organized and with a bmw sponsorship for transfers, we were major alta in karlovy vary haha

BEN-PADERO-20160415016

early morning and the crowd had just partied the night before. still some few souls traversing through the venue and gardens, others sunbathing for their life. im pinoy, no thanks, i have my umbrella to shield me from the sun.

BEN-PADERO-20160414002

the view outside hotel ruze, where we enjoy our breakfast buffet of cheeses, hard bread, and yohgurt. plus goulash and different kinds of sausages as well.

BEN-PADERO-20160413013

another of the collonades that feature a spring of water, supposedly medicinal and which you can drink (if you buy them touristy ceramic mugs).

BEN-PADERO-20160413004

we stayed for 4-5 days but wish we could stay the whole week. got to watch brillante mendoza’s ma’rosa (heartbreaking) and swiss army man, directed by dan kwan and daniel scheinert (amazing). then of course, the new edit to kapatiran, which we saw for the first time in karlovy vary. during the q&a, pepe likened the philippines to shattered glass, an archipelago of broken people, separated by seas and subcultures yet connected by affiliations. and then there was a proposal that occurred. but that will be another story.

BEN-PADERO-20160413001

for the rest of the photos i took in karlovy vary, head on to my fb photodump album.

art & design, filmmaking, laundry therapy, movies, musings, travel

wanderlust: karlovy vary

Image

kviff_plakat_tiskovka_02.JPG

had a grand time in karlovy vary celebrating its 51st international film festival and especially because our film was part of the festival. aside from kapatiran (brotherhood), lav diaz’s 8-hour opus, hele sa hiwagang hapis, and brillante mendoza’s cannes entry, ma’rosa (which won jaclyn jose her biggest international acting award), were also screened in karlovy vary.

but more than anything, i particularly love the paparazzi theme of the festival. and with that, we staged our own.

benjamin padero 20160414IMG_4729.jpg

producer, bianca balbuena

benjamin padero 20160414IMG_4733.jpg

production designer, benjamin padero

benjamin padero 20160414IMG_4743.jpg

production designer, carlo tabije

benjamin padero 20160414IMG_4750.jpg

director, pepe diokno

benjamin padero 20160414IMG_4758.jpg

director, pepe diokno, and associate producer, royd santiago

benjamin padero 20160414IMG_4764.jpg

production designers, benjamin padero and carlo tabije

benjamin padero 20160415IMG_4878.jpg

thug life editor, benjamin tolentino

filmmaking, laundry therapy, musings, travel

evading the paparazzi

Image
art & design, filmmaking, movies, musings, sketch

random drawing luna 201404XX

while doing research and working out the production design for the feature film, heneral luna, i got inspired by a scene from the script and decided to draw a sketch with antonio luna lost in thought playing his guitar and is about to be interrupted by his mother at the door. sketch is obviously unfinished but up to today i dont have the heart to finish it.

Standard
art & design, filmmaking, laundry therapy, movies, musings

i cam i saw i cam

image

cesar hernando, production designer for most of mike de leon’s films (batch ’81, kisapmata), sent us invitations to revisit the college of fine arts at university of the philippines and celebrate our organization’s 16th year anniversary last saturday, 25th of october 2014. that org is CAM, Cinema as Art Movement. generally a group of film enthusiasts from fine arts who love to watch and dissect films, the org evolved to encouraging students to work on their own cinematic masterpieces and involving more to see cinema beyond entertainment. the broadness and loftiness of the concept that embodies the org’s name may lead to its own downfall but the org strived to meet each generation of members’ goals for the sake of cinema. and art. 16 years later and even 10 years since my batch has graduated, the argument on what the org really should be remain diverse; its implied goal elusive.

CAM’s pioneering members include esquire magazine’s editor-in-chief erwin romulo, photographers gary buenavista, richard de guzman, j lucas reyes, film cinematographer eli balce, and graphic artist tom estrera iii. some of the org’s advisers and supporters are cannes winner raymond red, cinematographers larry manda and dindo martinez, and independent filmmaker mes de guzman.

image

long ago its membership was exclusively fine arts students until the group, under my leadership in 2002, opened to accept students from other colleges in UP. we enjoyed a strong physical presence in the fine arts halls that year, aided by a healthy number of members, and even went as far as leveling up the org’s indie video film festival, inyorai, to become an intercollegiate event and saw entries coming in from ateneo, la salle, and PLM. towards the 2nd half of the year, we planned to hold workshops on various aspects of production with the hope that members and students would have the necessary know-how to produce their own works. a school year is too short and we were only able to hold 2 workshops and it was like starting from scratch the year after. such is life for a school organization.

unnamed-1
photo of past and present chairheads of CAM

that saturday we did find ourselves again in the hallowed halls of hogwarths, communing with ghosts from the past and stray cats of the present. i was late coming into the program so i had no idea what was being discussed earlier. i had to introduce myself to the kids.

unnamed-2

so it is with a reassured heart that we leave an impression with the young ones to continue what he had hoped to accomplish back in the day. however, i do fear (i believe) the key to success for this so-called movement lies with the alumni. and maybe even outsiders who can pursue that grand idea and move the call forward. this movement can no longer be contained in a college organization whose lifespan is limited to periods the length of a school semester before restarting its programs or do an overhaul with every new enrollment of students. maybe it’s time we pick up the camera again, this time armed with real world know-how and connections beyond the world of the academe.

unnamed

class picture! i love you new cam members but i dont know all your names. on the front row are alumni from left: jopay cuntapay, peta stage writer and actress anj herjuela, tv commercial director mike talampas, esquire editor-in-chief erwin romulo, prof cesar hernando, myself, bates ad agency acd jhem manalang, prof ruben de jesus, comic book illustrator aj bernardo, graphic artist tom estrera iii, gma agency hotshot jimi diga, comic book writer and editor noel pascual, and chorva.

*special thanks to anj for sharing the last three photos in this article. for more information on Cinema as Art Movement, check out the group’s facebook page.

Standard
musings

end of roll

image

shooting the last day of our shake rattle and roll part xv episode 2 today. it’s evening and my energy has gone down by 10.30pm. the dust in the house and maybe the weather (it’s been raining since after dinnertime) has kicked in my asthma after all that laughing this afternoon.

we’re trying to finish two big sequences with an average of 10 2-cam shots each before 3am but i reckon we’ll finish by daybreak. everybody’s brought sweets and pastries (and more food) to honor the last shoot day traditions and that might also have pushed me into my current compromised respiratory state. im trying to keep still, hoping the wheezing would also follow suit.

************

6 hours after and maybe 30 minutes into the next day’s sunrise, when all are basically walking dead, we finally hear our director call out, “it’s a wrap!” to new friends, old ones, and in-betweens, we love you all!

image

clockwise from top: bernard (2nd cam), mackie (dop), ara (scriptcon), bryan (sound), jerrold behind me (director), myself, relyn (ad), jaja (pa).

Standard
art & design, filmmaking, musings

preparations

image

ive setup in the living room. trying to consolidate notes from two versions of the script. reencoding my breakdown. coffee helps but i think i need more.

it’s january but we’ve been at this since july last year. sometimes, no matter the length of time to prepare for a project, it will always seem like you never have time to finish things perfectly. working on preproduction for HENERAL LUNA, a film im designing along with carlo for Jerrold Tarog, our director from cinemalaya’s mangatyanan. and senior year. and srr punerarya. and srr parola. it will be our first full length period movie. and the biggest in terms of requirements. it’s soo big i need to go through the script a hundred times just to absorb all the details. and im nowhere near done. we’ve done quite a lot the past few months and there’s still tons to do it’s insane.

image

image

image

image

image

image

here’s to ANTONIO LUNA and who killed him and has kept the country in the dark all these years. more on the making of this film later 😉

Standard
art & design, filmmaking, movies, set design

ABOVE THE CLOUDS Production Diary #2

the next installment to the behind the scenes videos for ABOVE THE CLOUDS was released a few days ago. here it is:


.

the 1st video is posted here.

Standard
art & design, filmmaking

shooting just below the clouds 2

20130318012 sagada.jpg

the second leg of shooting above the clouds brought us to sagada, a quiet little town in the mountain province. we’ve spent about a week here shooting exterior scenes of the forest, burial sites, and caves. after having stayed for about a week in baguio, we eventually got used to 17 deg centigrade weather, thank God! i did come prepared with multiple layers of thermal wear and bubble jackets as i freeze easily even in the malls in manila. pleasantly surprised how my body adjusted to the cold weather so i can say, i may just be able to survive the temperate countries.

20130315005 sagada.jpg
on set a chilly morning, ms tonee acejo had the gall to be in short shorts while we were all covered up.

20130315006 sagada.jpg
pepe smith on his guitar in-between setups.

20130316007 sagada.jpg
closeup of the pine trees covered with moss in sagada

20130325-070854.jpg
sketching the location

20130313001 sagada.jpg
me with pepe smith against the beautiful lake danum (danum means lake so that means it’s “lake lake”)

20130314002 sagada.jpg
carlo and i hit the backwoods while a shot was taking place in another part of the forest

20130318011 sagada.jpg
showing the immense cavern of sumaging cave, an ancient and protected burial site to the residents of the area. we had to build mockup coffins for the shoot so we wouldnt disturb the actual coffins on location.

20130318009 sagada.jpg
the crew raises hands for a photo

20130325-071005.jpg
shooting late in the night and deep in the cave to finish this scene with ruru madrid

Standard
art & design, filmmaking, movies, save the earth, sketch

surviving mount pulag

still shooting pepe diokno’s above the clouds in the mountain province with a trek up mount pulag to culminate the shoot. i cant post most of the photos yet as we are still shooting a few more scenes down in baguio but here’s a shot of the art department at the peak with a view of the sea of clouds. it pays to not work a day in your life with projects like this.

20130322001ATC pulag.jpg

clockwise from left: arman montallana, mikee supetran, carlo tabije, ramon recana, docdoc, russel amis, randy, and me

Standard