during the shoot of pepe diokno’s 2nd full length feature, ABOVE THE CLOUDS, last year, bradley liew, a malaysian filmmaker, was tasked to create short featurettes for the film’s behind the scenes. bradley and pepe were able to release the first two featurettes that discussed the director’s vision and our 2 lead actors even before we finished shooting the whole thing. the 4th episode in this series, released just a few weeks ago, was about the production design and featured us 😉 as much as the requirements on paper seemed simple enough, it is not. whether you are designing for 2 actors on screen or 500, all film projects require careful planning and attention to detail. watch this vid and see if we actually made sense. the shoot of ABOVE THE CLOUDS took almost a year to do so my hair also went into different lengths and feels haha. cheers!
Tag Archives: above the clouds
ABOVE THE CLOUDS Production Diary #2
the next installment to the behind the scenes videos for ABOVE THE CLOUDS was released a few days ago. here it is:
the 1st video is posted here.
ABOVE THE CLOUDS Production Diary #1
here’s a behind the scenes video produced to promote the film we are currently working on. we’ve already done about 80% of the movie and we’re down to the last 8 days of shoot by may 2013. here’s the first video released on the making of ABOVE THE CLOUDS.
shooting just below the clouds 2
the second leg of shooting above the clouds brought us to sagada, a quiet little town in the mountain province. we’ve spent about a week here shooting exterior scenes of the forest, burial sites, and caves. after having stayed for about a week in baguio, we eventually got used to 17 deg centigrade weather, thank God! i did come prepared with multiple layers of thermal wear and bubble jackets as i freeze easily even in the malls in manila. pleasantly surprised how my body adjusted to the cold weather so i can say, i may just be able to survive the temperate countries.
on set a chilly morning, ms tonee acejo had the gall to be in short shorts while we were all covered up.
pepe smith on his guitar in-between setups.
closeup of the pine trees covered with moss in sagada
sketching the location
me with pepe smith against the beautiful lake danum (danum means lake so that means it’s “lake lake”)
carlo and i hit the backwoods while a shot was taking place in another part of the forest
showing the immense cavern of sumaging cave, an ancient and protected burial site to the residents of the area. we had to build mockup coffins for the shoot so we wouldnt disturb the actual coffins on location.
the crew raises hands for a photo
shooting late in the night and deep in the cave to finish this scene with ruru madrid
surviving mount pulag
still shooting pepe diokno’s above the clouds in the mountain province with a trek up mount pulag to culminate the shoot. i cant post most of the photos yet as we are still shooting a few more scenes down in baguio but here’s a shot of the art department at the peak with a view of the sea of clouds. it pays to not work a day in your life with projects like this.
clockwise from left: arman montallana, mikee supetran, carlo tabije, ramon recana, docdoc, russel amis, randy, and me
shooting just below the clouds
it’s day 9 for our shoot of pepe diokno’s above the clouds with protegé’s ruru madrid and philippine rock legend pepe smith. we started with about 5 days of shoot in baguio before moving to sagada, also in the mountain province. altitude in baguio is about 1600 meters and attitude is ubber cool. temperature during the day is about 22 deg celsius and evenings drop to 14 although it felt more like 10 degrees.
One thing i love about pd work with locations is that we get to go ahead of the team and sometimes make stops when we like, like taking a photo at the famous Lion head along the highway. With carlo and me is ramon recana, art director.
One of our main sets in baguio was pepe smith’s character’s house. It had to look rundown and textured and his emotions are boxed up in storage for a later reveal. It was challenging not to go overboard with the clutter and it was fun shooting in that location in camp allen, not to mention it wasnt as cold as shooting the exterior scenes at night.
Photos from home used as a prop. At the upper left corner is a photo of my sister, tina, when she was about 3 years old.
Me standing in so i could have this shot
Director Pepe Diokno takes a break on our set
first time for us to work with Pepe Diokno, who directed his first film Enkwentro that got him the Lion of the future award in 2009 at the venice film festival. This would only be his second film and we’re thrilled to be a part of it. Producer bianca balbuena was the one who brought us into the project along with the motley crew from jerrold tarog’s other films: ben tolentino (script con), nicholas varela (sound recordist), cris aquino (ad), and on-set mascot oniel parker (pm). First time to also work with dop carlo mendoza, tonee acejo (lp), mark locsin (sound recordist and engineer), and a slew of others.
This man is a revelation. Pepe Smith on his guitar between takes.
Me doing a pepe smith while playing the chords to a nirvana song (the only two guitar chords i know how to play)
currently we are now in sagada prior to climbing mt pulag. really enjoying the shoot. I thought id freeze to death in the mountains but i slowly adjusted to the weather and im enjoying the company of friends. It’s true you’ll never have to work a day in your life if you enjoy what you’re doing, like art directing the forest and designing for a film about a boy orphaned and finding where his home now lies above the clouds.