food trip, musings

vahay kuvo part 2

ever since we did our marketing at marikina the other week, carlo and i have carefully documented the meals we produced and ate. apparently we still had to hit the neighborhood grocery for more items like cans of milk or some other ingredients not found at the public market. out of the stash of food we got here were the dishes carlo cooked and we both plated for instagraming (@luningninggerzi) :

DAY 1

that evening coming back from the market, this was the first we prepared. mussells with carrots and napa/chinese cabbage. instead of rice, we have sweet potatoes.

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DAY 2

lunch was fried big-bellied round scad (galunggong) with a bed of veggies consisting of baked sweet potatoes in basil, muscovado, honey, and blackbean sauce. dipping sauce is iloko vinegar.

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dinner was shared with tita tems (who doesnt go home for lunch). we had red snapper (maya-maya) steamed in lemongrass and other aromatics and seasoned with tamarind (sinigang) powder). since we used the small oven toaster, the fish was split in two and curiously, the head part’s drippings tasted differently than the tail part (the former was tasted like the ocean and the latter’s taste was more subdued). on the side we had a salad of boiled leaves of the sweet potato (camote tops) and fresh tomatoes, onions, in a sweet-sour vinegar sauce. there were also eggplants (boiled) paired with bagoong balayan (a kind of fish sauce) with calamondi. no rice tonight.

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carlo also proceeded to make his own chili sauce by chopping up sili labuyo, green chilis, and peppercorns. toasted the garlic in oil then cooked the chilis into it. sesame oil was added later on.

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DAY 3

lunch was just omelette and whole wheat bread. no photo. forgot. lol.

dinner was mantis shrimp (alupihang dagat) cooked in garlic and butter. on the side were sauteed veggies in peanut sauce (using local peanut butter. yum). i prefer to call these shrimps aliens because i think shrimps are of alien descent.

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here is the photo of how i plated the alupihang dagat. so crazy.

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DAY 4

lunch was blanched cabbage heads and tomatoes dipped in bagoong, calamansi, and sili, and eaten with hands. we also had fried galunggong and fried brown rice. galunggong had a sukang iloko dipping sauce.

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dinner was adobong manok, cooked for hours. adobong mother and child, as per carlo, this adobo was served with hard-boiled egg plus boiled squash and sweet potatoes. ripe cantaloupe for dessert.

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DAY 5

last lunch was stir-fried vegetables with an awesome plate of fried squid. dipping sauce is iligan’s pinakurat, the best vinegar in the world!

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we had to add a few more items purchased in the neighborhood grocery to supplement what we got from the market. this would amount to maybe another thousand pesos. our initial Php 940 plus about a thousand pesos, divided into more or less 8 dishes would amount to Php 242.50 per meal with 2 or 3 people sharing the whole meal. still awesome!

im sharing this because we do have fun preparing these dishes and eating them! im hoping to inspire others also who cannot escape the clutches of fast food. maybe for others as well, you should realize you dont have to spend so much to eat better. give a little bit of time to cooking and it will reward you. the greatest chef in the world, gusteau, does believe, “anyone can cook.” and while i dont do the cooking, i do the dishes and that’s still a noble chore. lol. cheers and have fun!

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musings

magpa-practice tayo araw araw!

the sprite tv commercial airing locally in the philippines last december may be confusing to some, knowing there was an indian version of it (click here to watch it). sometimes when a company’s tvc from some other region becomes successful, clients either allow that tvc to air in other territories or produce a similar ad with local talents and reflecting local culture. this sprite commercial is a mixture of both.

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the gorgeous teacher, chalo apni chaal, from the original is clearly indian, with her sari costume, and the scene set in some church with vaulted doorways and stone walls. the reverse shot of the guys can pass off for the pinoy tv audience, though they are not necessarily filipino looking. we only needed to replace the shots of the teacher then.

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somewhere in the series of meetings with creative heads, it was decided we avoid situating our version in a church. i tried to find a non-sectarian location that would tie up to the high-ceiling space and big doorways of the boys’ reverse shots (and maybe nobody will notice the left side of the shot that showed the painted glass windows). i thought a backroom of some auditorium or the side of a stage could nicely pair it up without getting too left field. cinematic license if you must. some groups do use backstage areas for music rehearsals or hold workshops where music equipment are kept.

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my initial inspiration for the set design was the westminster abbey in the da vinci code, which actually used the interiors of the lincoln cathedral in the movie. so i was putting the church feel and merging it with the backgstage look. sketched out the set design on my ipad for presentation.

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paper app

eventually the set design was revised to look like this (with photos of instruments scattered all over the set because i was trying to build less flats (panels) and install stage curtains on the right for illusion of depth. id have the rolling scaff as foreground as well. agency wanted me to add some filipino string instruments in the background so i added hegulungs (or kudyapi, depends on who you ask).

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refining my paper app drawing of the set design with real-world measurements by going the google sketchup route by the time we started construction. this became the color guide as well for my painters.  further reduced the number of flats in this version, thereby cutting my construction costs further down. i also utilized the actual look of the studio if ever anything would be “peeking” beyond my built set.

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here’s the finished set, dressed up and lit. head carpenter (setman) is the famous abrio. on the guitars behind the drum set is cinematographer odie flores.

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we cast patricia tumulak, a pageant beauty currently groomed for binibining pilipinas, as the teacher. i hope she makes it to the top. more stills from the shoot

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production house: filmex
director: ianne co
cinematographer: odie flores
production design: benjamin padero
wardrobe stylist: carlo tabije
assistant director: kristi gallaga

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end of roll

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shooting the last day of our shake rattle and roll part xv episode 2 today. it’s evening and my energy has gone down by 10.30pm. the dust in the house and maybe the weather (it’s been raining since after dinnertime) has kicked in my asthma after all that laughing this afternoon.

we’re trying to finish two big sequences with an average of 10 2-cam shots each before 3am but i reckon we’ll finish by daybreak. everybody’s brought sweets and pastries (and more food) to honor the last shoot day traditions and that might also have pushed me into my current compromised respiratory state. im trying to keep still, hoping the wheezing would also follow suit.

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6 hours after and maybe 30 minutes into the next day’s sunrise, when all are basically walking dead, we finally hear our director call out, “it’s a wrap!” to new friends, old ones, and in-betweens, we love you all!

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clockwise from top: bernard (2nd cam), mackie (dop), ara (scriptcon), bryan (sound), jerrold behind me (director), myself, relyn (ad), jaja (pa).

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art & design, costume design, filmmaking, movies, musings, set design

the 15th shake

we’re roughly midway shooting through the 2nd episode of regal film’s widely anticipated horror anthology, shake, rattle, & roll, now on its 15th version. carlo and i are working again with jerrold tarog (director), mackie galvez (cinematographer), and benjamin tolentino (editor). we did our first SRR episode years back for punenrarya (blogging about that here) and got a lot of notice for that episode, especially from the brilliant performance of our lead, carla abellana. this time she’s back working with us along with dennis trillo, john lapus, and the magnificent chanda romero. watch out for SRR 15’s 2nd episode in december 2014!

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art & design, costume design, movies, musings, set design

HENERAL LUNA Teaser is out!

the film we worked on for about a year of our small, insignificant lives (compared to fallen heroes who fought for our liberation) just released a teaser trailer! sharing with you a glimpse of the biggest movie we’ve all worked on, so far! i give you jerrold tarog’s HENERAL LUNA!

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directed by JERROLD TAROG cinematography PONG IGNACIO production design BENJAMIN PADERO & CARLO B. TABIJE music JERROLD TAROG editor JERROLD TAROG catering JERROLD TAROG free coffee JERROLD TAROG sunscreen JERROLD TAROG (kadaghan bas imo ngalan diri JERROLD TAROG) screenplay JERROLD TAROG ED ROCHA HENRY FRANCIA producer ED ROCHA executive producer FERNANDO ORTIGAS

please like our HENERAL LUNA facebook page.

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art & design, costume design, filmmaking, interior design, movies, musings, set design

ABOVE THE CLOUDS BEHIND THE SCENES: Production Design

during the shoot of pepe diokno’s 2nd full length feature, ABOVE THE CLOUDS, last year, bradley liew, a malaysian filmmaker, was tasked to create short featurettes for the film’s behind the scenes. bradley and pepe were able to release the first two featurettes that discussed the director’s vision and our 2 lead actors even before we finished shooting the whole thing. the 4th episode in this series, released just a few weeks ago, was about the production design and featured us 😉 as much as the requirements on paper seemed simple enough, it is not. whether you are designing for 2 actors on screen or 500, all film projects require careful planning and attention to detail. watch this vid and see if we actually made sense. the shoot of ABOVE THE CLOUDS took almost a year to do so my hair also went into different lengths and feels haha. cheers!

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art & design, costume design, filmmaking, interior design, movies, musings, set design

HENERAL LUNA: 8 days done. 17 to go

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we finally finished the first 8 days of shoot for HENERAL LUNA that has brought us to tanay, taal (batangas), bulacan, and all the way to ilocos (vigan and laoag). forgive me but i did plan to write a full blog article about HENERAL LUNA but the holy week has shut my mind down into rest mode. hence i wont be writing anything except this hi and hello. hi and hello! hopefully be back in full mode after this weekend. or after the end of this shoot in june. haha cheers!

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dop pong ignacio silhouetted against the 18k sun

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shooting a dining scene in the gorgeous villavicencio house

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dressing up a vigan street early in the morning for a 1-shot scene at the break of dawn.

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meta mode pointing my camera at the mobile monitor showing me pointing my camera at the mobile monitor showing me pointing…

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my props and set boys. if rocks made up a mountain, i have a big mountain to lean on to. happy people make a happy set. keep smiling, boys!

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art & design, filmmaking, movies, set design

ABOVE THE CLOUDS Production Diary #2

the next installment to the behind the scenes videos for ABOVE THE CLOUDS was released a few days ago. here it is:


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the 1st video is posted here.

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art & design, filmmaking, movies, musings

ABOVE THE CLOUDS Production Diary #1

here’s a behind the scenes video produced to promote the film we are currently working on. we’ve already done about 80% of the movie and we’re down to the last 8 days of shoot by may 2013. here’s the first video released on the making of ABOVE THE CLOUDS.

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art & design, filmmaking

shooting just below the clouds 2

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the second leg of shooting above the clouds brought us to sagada, a quiet little town in the mountain province. we’ve spent about a week here shooting exterior scenes of the forest, burial sites, and caves. after having stayed for about a week in baguio, we eventually got used to 17 deg centigrade weather, thank God! i did come prepared with multiple layers of thermal wear and bubble jackets as i freeze easily even in the malls in manila. pleasantly surprised how my body adjusted to the cold weather so i can say, i may just be able to survive the temperate countries.

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on set a chilly morning, ms tonee acejo had the gall to be in short shorts while we were all covered up.

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pepe smith on his guitar in-between setups.

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closeup of the pine trees covered with moss in sagada

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sketching the location

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me with pepe smith against the beautiful lake danum (danum means lake so that means it’s “lake lake”)

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carlo and i hit the backwoods while a shot was taking place in another part of the forest

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showing the immense cavern of sumaging cave, an ancient and protected burial site to the residents of the area. we had to build mockup coffins for the shoot so we wouldnt disturb the actual coffins on location.

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the crew raises hands for a photo

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shooting late in the night and deep in the cave to finish this scene with ruru madrid

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