art & design, costume design, filmmaking

CAPTIVE The Movie (formerly titled PREY)

dec 23 2011
since the announcement of brillante mendoza’s new film (formerly titled PREY) CAPTIVE’s inclusion in the 2012 berlin international film festival main competition and having my photos properly credited on the local news (thanks, tv patrol), i reckon it safe to repost and make public this blog article on the film, posted february 15, 2011  😉 merry christmas and enjoy!

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here’s explaining my busy schedule for the last few months.  carlo and i worked on brillante mendoza’s new opus PREY (international title CAPTURED), shot in january 2011.  preparations took months and since november 2010 we’ve been going around the locations and meeting a lot with the director for this film. i had to stop doing tv commercials by december so i could focus on pre-production for the movie.

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mon confiado evoking shawshank redemption in mauban quezon

i had to forgo a good amount of my christmas vacation and pretty much the new year’s celebration as well to work on the film. we started to shoot PREY by january 11, starting in calatagan batangas (which ive no photos of) then moved to mauban quezon.

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the pensive tado

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timothy mabalot

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mon confiado

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neil ryan sese

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the gorgeous angel aquino

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art & design, interior design, set design

set design photos

i like this new blog theme. i can post photos larger than 450 pixel-width sizes (the limit of my old blog theme) 🙂 that’s geekspeak for photos larger than 450 pixels wide  hehehe still confusing you? let me just show you. these are some photos of my tvc prod design works in the last year or so. the photos are 700 pixel-width! exciting! im such a geek


datu puti’s muhkasim festival


ufc’s tomato guisado. had to build a whole neighborhood street in studio


replicated pizza hut’s kitchen in the studio


lola techie channeling queen elizabeth in eq diapers’ shoot


that’s all the gold left in the kingdom.


i love this set. it’s my “amelie-in-balara” set for a meralco ad.


here’s another side of the room for the meralco ad. esp love the 70s lamp. the wall frames are tita tems’


the wood panel wall is an homage to my grandparents’ house in mindanao.  note their photo on the left. also tatems’ on the right.


felipe flores for viva mineralized water


modern chika for vicky morales’ living room


how’s this for a bedroom?


talk show set for tintin bersola-babao and anya’s eq diaper shoot.


evoking santorini in batangas


wake up to hundreds of balloons


candles galore for san marino tuna paella


romantic candle votives from SM and fake champagne. roses are from dangwa, of course


kitchen for another eq diaper shoot with vicky morales


dolfenal’s “bakit pa” mock film trailer shoot


a set-up of a room, which could very well be mine. those are all my books. and my sheets


onions have layers. my set for kremil-s


recreating tokyo tokyo restaurant in the studio, featuring the lovely AD christine blando


ufc banana ketchup. “bogart!”


deli shop for san marino


charmee!


palagi nalang si pearl. shooting in caliraya river


kfc’s bucket of fries


sm-modern old house studio shoot


trudis liit before she was ubber famous. for ufc banana ketchup


alam mo na


basta ako, champion


ako din, champion.

benjamin padero
bow.

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art & design, filmmaking

SENIOR YEAR is Rated A


alumni of st frederick from left: rj ledesma, arnold reyes, dimples romana, ina feleo, benjamin padero and carlo tabije. char lang

the film SENIOR YEAR that we shot last may is rated A by the cinema evaluation board! that means it gets a 100% tax rebate when it is shown in local theaters. im posting below the full review of the board lifted from director jerrold tarog’s tumblr.  furthermore, SENIOR YEAR is one of the independent features to be screened during this december’s MMFF (metro manila film festival).  that means two of the films i worked on as production designer is featured in that festival (shake rattle and roll XII and senior year). wohoo! have a merry christmas!


pogi, official mascot of the SENIOR YEAR shoot. photo by joseph pascual


Film Development Council of the Philippines
CINEMA EVALUATION BOARD

Summation of CEB members’ comments on
“SENIOR YEAR”
Grade:  A
Digitank Studios, Inc.

“SENIOR YEAR” is a refreshing and welcome departure from both the cotton candy romcoms churned out by mainstream cinema regularly as well as from the depressing poverty porn sometimes offered by the indies.

“Because of its imaginative, insightful and well-paced direction, intriguing characters and story structure, the film merits a clear `A.’” The film is “very, very good! It is simple and honest” like the graduation speech of the valedictorian, the film is not pretentious, nor over-reaching but just sincere in its quiet little space and in its intention and execution.

Of course, most of the credit goes to Director Jerrold Tarog who also wrote and edited the film; Tarog is also responsible for the overall sound design. His direction is called “superb as he has great mastery of his subject with effortless handling of his actors.”

The script is “well structured with praiseworthy attention to characters and with admirable avoidance of artistic pretensions.” A reviewer also commented that the “dialogue and characters are very natural.”

“The film captures the essence and vagaries of high school life and gives a taste of what may happen 12 – 14 years later.” Furthermore, the “screenplay captures the spirit and fun of the senior year” as well as the uncertainty and fears that are up ahead in college.

There are the usual nerds and wannabes, the usual bullies and their victims and the latter’s defenders. They are not portrayed as obligatory stereotypes though and this is what makes the seniors in the film interesting and endearing. Their back/home stories also vividly show the milieu the seniors are forced to sink or swim in. There are the heartbreaks from teen-age break-ups, college rejections and intram defeats and there are also successful physical and emotional make-overs. There are teachers who inspire and challenge and there are classmates who support and encourage but sometimes infuriate and meddle. The kids may not be as attractive or as airbrushed as the Glee cheerleaders; they are just the pimply, gangly and giddy teen-agers in the real world.

The editing is “sharp and competent as well as brisk and disciplined” though a couple of reviewers suggested a pruning of some scenes. Except for some scenes (the blurry footage from the actual intrams), the cinematography is considered “sharp and admirably controlled.”

The production design is “compatible with the theme and period covered.” The great attention to detail” is noted and praised.

“The music, like the other elements of the film, is both understated and worth listening to.” One CEB member says that the “musical score is provocative and aids in the plot development very well.”

Finally, it is the non-acting of the young non-actors that is the crowning glory of the film. The film boasts of “impressive, excellent and memorable repertory performances.” The performers are “natural, fresh, truthful and honest.”  “Together with the professional actors who portray the teachers, the students provide a palpable sense of reality.”

To sum up, the following are some concluding comments from the Board:

“Congratulations for a very well-crafted film.”

“Snatches of high school life become a colorful tapestry of young lives at the brink of adulthood and the Director succeeds in conveying this essence to the screen.”

“Kudos should go Tarog and his young producer. Their film is a quiet but impressive feat.”

“May puso ang pelikula.”

“Love it!”


director jerrold tarog showing his true colors. me (145lbs heavy) in the background. photo by joseph pascual


SENIOR YEAR is written and directed by jerrold tarog. he also edited and scored the whole thing. cinematographer mackie galvez, prod design benjamin padero, assistant director bianca balbuena, sound nicholas varela with songs by johnoy, danao, executive producer beverly tanedo, produced by franco alido.

for screening schedules, please check here. click “like,” too! yey

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art & design, food trip, interior design, musings

van gogh is cuckoo

had a very interesting night at van gogh is bipolar. FA classmate egan jimenez held a photo exhibit that opened today at the cafe.  took me a 2nd tagging of his invites on FB to haul my ass off and go (i dragged jhem manalang along with me).  i missed the company of egan and van gogh owner jetro, plus sir tats enriquez (missed cesar hernando by a half hour) and had a wonderful night of conversation over beer and tea.

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at the back wall are egan’s photos enlarged on plywood canvasses. i especially loved his amsterdam photo and the steps of the sistine chapel. jetro here decided to take off his shirt and wear the michelangelo’s david apron he got from italy.

listened to jetro’s stories in europe. his new motto in life is apparently hakuna matata. somewhere in scandinavia he met this old man with a thick white beard and long hair. he looked like a bum but jetro found out while talking to the guy that he was 1 of 3 remaining artists in sweden or something. And he plans to move in here in the philippines in november on fulfilling a life-long dream of retiring and dying here. and that he’s planning to buy an island and stay there. oh, and he has a pinay girlfriend.  i say, there’s no place like home.

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flags of countries from jetro recent euro trip hang outside the cafe.

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how is a tea party without tea pots?

jetro’s teas are grown from his own yard out in isabella. with the storm he tells me his trees have been uprooted. i asked, how was his family.  well, they have still have a roof, he says.

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we dined at next-door black soup cafe but finished here in the red wall boudoir. the piece of knit hanging above i loved.  later i find out it was from gilda cordero. much later jetro tells me it was chinchin gutierrez’s costume from the stage musical, luna (aswang romance).  so much cooler.

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jetro did not serve dinner that day but his cafe became a soup kitchen of sorts.  on the foreground is his chicken soup (lovely); in mid ground is his travel journal (which includes an unsent letter to oprah).

jetro confesses his trip eventually became spiritual. by the 3rd week in europe he unloads most of his stuff and sends it back to the pinas. along the way he’d leave behind some of his clothes, realizing he doesnt need so much material stuff. by the 3rd month in europe, he’s left with a shirt, his jeans, shoes and bag. he even gave away his cellphone. he’s slept on floors, in bus stations, dined with the rich and convened with the poor.  he tells me his life in manila is complicated, realizing people can live on less and be happy. and he realized he was afraid of so many things. he says, by learning to let go of all anxiety and fear, only then can we really live.

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this lace umbrella, used as a shade, was sourced from belgium in jetro’s recent euro tour.

a lot of us have wild dreams of being rich and traveling all over, experiencing what the whole world has to offer. he’s prodding me it’s time to resume pursuing mine. jetro declared to robert he was leaving for europe then. robert asked when, to which he replied soon. jetro surmises if he didnt leave now then he might never will. so off he went, just like that.

if only we could be as adventurous with fate and destiny, we will realize we were always meant to be where we only thought we’d go.

and just like that, i became more inclined to take that trip back to europe to live out a fantasy.  ever since carlo was invited to go to europe (for work) in february next year, i wanted to go back there too.  my first euro trip 5 years ago was only 5 days long. now i wanna stay for a month or two!  i want to go back shooting my short films and a bit of photography so im vying for a good DSLR (how about a canon 550D for now?).  my finances will need to brace itself but maybe i need to live off the edge a bit.  otherwise i wouldnt get to where i need to be.  you only live once.  no day but today.

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art & design, interior design

scandinavian chic

i swear on hamlet’s dad this is absolutely charming.

to be able to attain this kind of quasi-minimalist clutter here in the philippines, you gotta have a huge house. then add crazy big windows (which we have in mindanao btw) and you’re almost there. except that you’d be insane to put glass on your windows because it’s so hot here. and the sun never gets to this angle in the house. oh well.

omg eames chairs! and a coral! i know right? bad bad bad. but i love it! have one in my room.  and the big letters! hahaha im crazy cray cray over text i havent decided what to put on my walls!

the next two photos have darker walls but nevertheless charming.  and it can work in so many houses in the philippines who cant afford to do final plastering and paint their bare cement walls. all you need is a cheese cloth table cover and frame invisible pictures and you’re all set!  🙂

you can get more swedish love from emma’s design blog, so much love!

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art & design, filmmaking, food trip, laundry therapy, movies, musings

i was once a filmmaker

before all these pd work on tv commercials, before regal films and centerstage, revolver and abracadabra, before doing design for brillante mendoza and jerrold tarog and chito rono and tikoy aguiluz, before getting the urian and a ycc, before graduating and all the bills, i was once a filmmaker. i wouldnt go as far as say i was great, but i was a friggin filmmaker.

and i got reminded of that by eating my instant pancit canton.

and watching the trailer of amorres perros.

in high school and college i got interested in a lot of movies. i read about some highly-praised films that i would never get my hands on. being in the province with no access to obscure movies and art house films, plus technology would not be pirate friendly for another 10 years, i was cinema-starved.

in 2000 i transferred to the college of fine arts and met kindred spirits who were also hungry for good movies. we fed on films by fincher, lynch, inarritu, mike de leon, lav diaz, tornatorre and of course on lucky me pancit canton and red horse beer. after a few years, pirated dvds and players started popping up in quiapo and it was the motherload. we continued feeding on more world cinema along with our unsatiated appetite for pancit canton and moud halal’s roasted chicken and kabsa rice.

back then we dreamed of films, ate films, breathed films. ive been lucky to have shot, produced and directed a few short films. we were living the dream, quite frankly.

before i graduated, my choices of meals were cheap or cheaper. when i started working (with then PD dante mendoza), i could afford to watch more movies on the wide screen and eat in a variety of restaurants. more when i started to do my own PD work in tv commercials and films. now it was a choice of whether we’d eat japanese, italian, pinoy or whatnot, no matter the price.

today i stayed home and waited for the rain. by the time the roofs started their staccato beat, i got hungry and cooked a batch of pancit canton. who’d have thought this bowl got me reminiscing and find enlightenment?

before all these pd work on tv commercials, before regal films and centerstage, revolver and abracadabra, before doing design for brillante mendoza and jerrold tarog and chito rono and tikoy aguiluz, before getting the urian and a ycc, before graduating and all the bills, i was once a filmmaker. i wouldnt go as far as say i was great, but i was a friggin filmmaker.

and i got reminded of that by eating my instant pancit canton.  and now maybe it’s time to go back and make my own films.

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art & design, interior design, set design

kitchen! i love

how cute is this? i want a kitchen like this. exactly this much light exposure, contrast and pseudo grit. first i need a house.

then again, maybe i really just like that grocery signage they put above the shelves. i love text, i love type faces. i swear i will be tattooing “i love arial over verdana” on my arms one of these days.  reposted from country living

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art & design, interior design

japanese rooms and emptiness

this is a repost!  interesting view of the japanese on empty space and how similar the transformation of a room corresponds to our own pinoy sensibilities on fluidity and flexibility of spaces in the bahay kubo setup. the argument is trivial (it’s almost the same banana) but i respect the idea.


Posted by hipstomp | 30 Sep 2010

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I received an interesting note in response to yesterday’s post about living with a traditional Japanese futon. The author of the note, Ko Nakatsu, took exception to my oversimplified blog-ready description of why futons are folded and put away, and wanted to set the record straight in greater detail (which should be of great interest to architects and designers of environments):

The futon’s fold-away function is not [just] for “freeing up useable square footage in a space-tight country”. That notion is merely a benefit from the true meaning and original philosophy of a futon. The true reason for the fold-and-store-away function is so that you can create an “empty space”.By creating an empty-space, it allows for limitless potential of reasons for the room’s existence. It could become a tea room, dinner room, bedroom, entertainment room… the empty room creates “potential” to be any room. Traditional rooms in Japan (which are becoming rare) often have nothing that is permanent, even the “walls” or fusuma, slide away to create a larger expansive empty-space. The people, wall, furniture, and artwork, enter and then leave the room, to return it to empty-space, full of potential….

This philosophy can often be seen in many parts of the country, from objects to culture, to even an international company like Muji (“Mu” meaning “empty” or “absence” with a hint of “tranquility” and “potential”. That would be the closest translation in English. )

Nakatsu then provided a link to the following video of designer Kenya Hara (you probably know Hara’s work from Muji or Haptic) giving a presentation at Google headquarters on “the meaning of Mu, or emptiness…. He doesn’t talk about the futon exactly but that object still embodies the philosophies of Japan that he talks about.”

(Warning for those of you at work: The vid is nearly an hour.)

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